Hans Olthaar
What you see is what you get, here i want to be all day!
Unfortunately it is for climate, safety or what ever it wil be, not possible or it is rather hard
in spite of this argument, i don't understand the reason why we usualy build by mass instead of transparancy most houses are build like monopoly: walls, a roof and some smoke.
the sun stays outside and the oil (so long there is) burns inside. In stead off starting with a concrete structure and making windows on positions were we want contact with the outside,
I sugest: we start with a open bear-structure, keeping wind and rain ouitside with a glasswall, blind locally your privacy and keep your field of vision further than the curtain"
Toon van Hooijdonk
"History:
DREAMCATCHER:
a small 2d circle-weblike object before the WildWest started; it is supposed to separate good from evil dreams.
PYRAMIDE:
a giant 3D object from the MiddleEast which is supposed to have magical power in the point of gravity.
To join these beautifull polarities really made me feel good. Drawing peace & harmony.
07-07-07:
So happy & sweet dream to all of you. And beware; they will come true!!!
"
Arjen Raue
The journey through the mountains of Graubunden ends in the rocks. The building is a block of rough, grey, local stone in which the spaces are cut out like caves. The ceilings, the walls, the floors are pure rock; they belong here. Stone looks like stone and wood looks like wood. When you pull the lever of a shower you get what you expect: a drowning flush of ice water. The light is dim, but sufficient to find your way. Daylight strikes the granite surfaces and accentuates the building's structures. In each area the visitor is actually aware of it's specific mix of temperature, humidity, sound, lighting and smell. This mix determines the room, for instance in the cave where you sit down and sweat in a dark and foggy room, incredibly hot, where no wall is visible, only faint orange light and steam.
Wei-Hsun Chen
Wei-Hsun Chen
Wei-Hsun Chen
Wei-Hsun Chen
House N, designed by Japanese architect Sou Fujimoto, is a living place defined by three boxes with different sizes. The architect not only creates a new boundary between the house and surrounding environment, but also breaks through the conventional layout which usually separates our living place into different rooms. It creates a opportunity to make user’s life infiltrate into the city smoothly due to this in-between space which is created by three boxes and their voids. Unconsciously, the private living space is extended from inside to outside, from a house into a city. The richness of spatial levels is building a free and comfortable atmosphere for a living space.
Klaas Kingma
The building postulates feeling good inside toughness. The interior is dedicated to raising comfort and atmosphere. The fresh air, the passive cooling system, the visual comfort, the temperature, the individual overrides to the heating, ventilation and shading make up a building that feels good and keeps people healthy -proven. The atrium, finished in clay stucco, makes the building breath: air and light enter the building from all sides. It was given the qualification "the best building ever" by Building Services Journal.
Minsun Kim
Imagine if you are waiting for a train to go somewhere. It is no matter where you go or what you do. The train station is a transition space, where we can expect of next place. It is a kind of same feeling that the day before the night of field trip is more excited than the day.
Hal Levin
"In Thoreau's own words:
"Simplicity, simplicity, simplicity."
This was a sustainable home, built to be low impact and no bigger than it needed to be.
Thoreau said he did not need a library because he did not read, he hoed beans.
It was built by a pond so it didn't need plumbing pipes - no lead, no copper, no zinc, no pvc, no pollution!"
Juriaan van Meel
The "Van Nelle" factory is a master piece of Dutch architecture that has proved to be functional over time. Once it was a factory for tea and tabacco. Now it accommodates small companies from the design sector. Inside you can still feel the light and air; atmosphere that was so exceptional at the time when the factory was built. I admire the building because it has 'character'. Character is a quality that is hard to grasp, but it is certainly a quality that is not often found in new buildings. Buildings like this (coverted warehouses, factories, etc.) should get more attention from both the academic and professional world to tease out design principles that help to improve new design.
Machiel van Dorst
Form follows behavior, so a good building facilitates events. My feel good building is however eventless, so the building can take all the credits and becomes a sculpture on itÃs own. Pavilions are legitimate sculptures because the lack of programs or technical or climatically restrictions. My feelgoodbuilding is the German Pavilion of Ludwig Mies van der Rohe in Barcelona. It Ãs a perfect walkthrough sculpture. ItÃs combines fine with raw materials with high tactile quality (onyx, travertine and polished chrome). It opens en closes towards the environment and the plainness of the easy flowing space gives a peace of mind. The indoor climate is the outdoor climate of a Barcelona park, combined with the smell of still water. It is funny, but the smell of the water gives me pleasant memories of Asian cities. The object quality is reinforced by the fact the building is ones demolished and rebuild 57 years later. This capacity to disappear is a form of humility I like in a building.
Jenna Tas
This is the "Rietveld-Paviljoen" in the gardenspace of the Kröller-Müller Museum.
In the picture people are listening to a concert - but the times I visited the pavilion
it was rather empty and it is very inspiring to roam through the open spaces.
Jing Zhang
This is a transitional space between the dark staircase space and the room full of light it is leading to. The change of illumination level in the two space is done subtly by introducing natural light to inside from windows - they are arranged to posses full range of the wall in a horizontal manner that well frame the trees outside. The space is generous as a transitional one for stairs, as it is big enough for good natural ventilation and leaves you a comfortable place to stand next to the window and look to the outside view. The windows, dived into several operable ones, provide the possibility to control temperature and ventilation speed in different situations. The not so beautiful heater, well hidden in the shadow, also leaves the outside view the major role in this space.
Jesse Plas
"This airport has an atrium with endless paths you can roam around. The indoor space makes you feel like you're in a forest."
Reference photo: National Geographic
Jaap de knegt
"Lochamara lodge is especially a feel good place for everything you can't find there:
No traffic, no tv, no shops, no stress, no (mechanical) noise. (Hammock) heaven on earth."
