Juriaan van Meel
The "Van Nelle" factory is a master piece of Dutch architecture that has proved to be functional over time. Once it was a factory for tea and tabacco. Now it accommodates small companies from the design sector. Inside you can still feel the light and air; atmosphere that was so exceptional at the time when the factory was built. I admire the building because it has 'character'. Character is a quality that is hard to grasp, but it is certainly a quality that is not often found in new buildings. Buildings like this (coverted warehouses, factories, etc.) should get more attention from both the academic and professional world to tease out design principles that help to improve new design.
Weichen (Thomas)
It is a hostel in new zealand where I had stayed for 2 nights few years ago. It is a typical home image for me because of the wooden floor and structure, inside stairs and the most important object is the fireplace. I feel warm and cozy when I laid back in the couch reading my novel. I can also hear the crackle from the flame from time to time, feel the heat and smell the smoke from the burning wood. That makes me feel relax and calm.
Klaas Kingma
The building postulates feeling good inside toughness. The interior is dedicated to raising comfort and atmosphere. The fresh air, the passive cooling system, the visual comfort, the temperature, the individual overrides to the heating, ventilation and shading make up a building that feels good and keeps people healthy -proven. The atrium, finished in clay stucco, makes the building breath: air and light enter the building from all sides. It was given the qualification "the best building ever" by Building Services Journal.
Hans Olthaar
What you see is what you get, here i want to be all day!
Unfortunately it is for climate, safety or what ever it wil be, not possible or it is rather hard
in spite of this argument, i don't understand the reason why we usualy build by mass instead of transparancy most houses are build like monopoly: walls, a roof and some smoke.
the sun stays outside and the oil (so long there is) burns inside. In stead off starting with a concrete structure and making windows on positions were we want contact with the outside,
I sugest: we start with a open bear-structure, keeping wind and rain ouitside with a glasswall, blind locally your privacy and keep your field of vision further than the curtain"
Jesse Plas
"This airport has an atrium with endless paths you can roam around. The indoor space makes you feel like you're in a forest."
Reference photo: National Geographic
Albert van der Sar
"The most important for my feelgoodbuilding is it's location. The rest is less important.
Very important is the protection that the feelgoodbuilding offers. Obviously interrelated with the location (safe environment or not) and my activities.
During holidays I love sleeping in a tent or in a (thick) sleeping bag (max clo) outside. Under the stars, next to a warm fire, with the noise of night animals in the background, half drunk. That sums up pretty well what the ingredients for my ultimate feel good experience are. Of course after a few weeks I get fed up with that (after a while rather impractical) and enjoy going back to a real roof over my head.
Another feelgood environment of interest is the Finnish sauna (minimum clo) or swimming outside in a (heated) swimming pool.
My ultimate feelgoodbuilding is a building with contrasts. Not same - same everywhere. But for example nicely heated areas (e.g. in the living room) next to more chilly parts (e.g. halls and bedrooms). Light areas (e.g. in a serre) combined with dimmed light in the living area and darkness where I sleep. Some parts with a ceiling height of 2.40 meter. Other parts with a height of 3 meter or more with high placed windows for spectacular daylight penetration.
How the building looks? I like fun and something strange is welcome.
Examples that come close to my ultimate feelgoodbuilding are: The Pantheon in Rome, TWA Saarinen in New York, the Kruisheren church in Maastricht and the Evoluon in Eindhoven."
Renz Pijnenborgh
"Nice natural materials, optimal air quality also for people with astma. Very quiet surroundings.
Balanced entrance of natural light. Comfortable wall-heating system. Pleasant natural ventilation."
Joanne Smith
"When I walk into this space it feels like I have walked into another world. Especially if it is particularly sunny outside, the sudden change into a dark and monumental space makes me feel a sense of peace and anticipation of something great.
The scale of the space and sloping gradient of the floor always overwhelms me the way a good space should. I especially enjoy the space has no exhibitions and I can wonder around looking up at the emptiness."
Stanley Kurvers
The space is spacious. It has no rectangular corners, but bent, curved walls and no flat ceiling but a dome. The light comes from every direction, and is diffused. The colours are natural. The artificial light are uplighters that give a natural and not blinding light. The construction is visable on the insight. The building gives a relaxing "feel".
Wei-Hsun Chen
Wei-Hsun Chen
Wei-Hsun Chen
Wei-Hsun Chen
House N, designed by Japanese architect Sou Fujimoto, is a living place defined by three boxes with different sizes. The architect not only creates a new boundary between the house and surrounding environment, but also breaks through the conventional layout which usually separates our living place into different rooms. It creates a opportunity to make user’s life infiltrate into the city smoothly due to this in-between space which is created by three boxes and their voids. Unconsciously, the private living space is extended from inside to outside, from a house into a city. The richness of spatial levels is building a free and comfortable atmosphere for a living space.
