Irene van Ham
Is it the memory on times that definitely are gone by? My grandparents leaving from here to visit their son in the USA? Or is it the magnificent view on the river? Rotterdam feels good, this is where my roots are. This building is for me the feelgoodbuilding in special.
Wei-Hsun Chen
Wei-Hsun Chen
Wei-Hsun Chen
Wei-Hsun Chen
House N, designed by Japanese architect Sou Fujimoto, is a living place defined by three boxes with different sizes. The architect not only creates a new boundary between the house and surrounding environment, but also breaks through the conventional layout which usually separates our living place into different rooms. It creates a opportunity to make user’s life infiltrate into the city smoothly due to this in-between space which is created by three boxes and their voids. Unconsciously, the private living space is extended from inside to outside, from a house into a city. The richness of spatial levels is building a free and comfortable atmosphere for a living space.
Yuting Guan
sometimes the place that i feel good is not really about where it is or what it looks like, but the people that i stay with, like in this picture, a group of friends sit together, so it is the best space.
Ipek Akgoz
Kitchen is the heart of the house. It always welcomes you with its warming atmosphere and delectable smell... It is the place that conversations are always keep going.
Hal Levin
"In Thoreau's own words:
"Simplicity, simplicity, simplicity."
This was a sustainable home, built to be low impact and no bigger than it needed to be.
Thoreau said he did not need a library because he did not read, he hoed beans.
It was built by a pond so it didn't need plumbing pipes - no lead, no copper, no zinc, no pvc, no pollution!"
Jing Zhang
This is a transitional space between the dark staircase space and the room full of light it is leading to. The change of illumination level in the two space is done subtly by introducing natural light to inside from windows - they are arranged to posses full range of the wall in a horizontal manner that well frame the trees outside. The space is generous as a transitional one for stairs, as it is big enough for good natural ventilation and leaves you a comfortable place to stand next to the window and look to the outside view. The windows, dived into several operable ones, provide the possibility to control temperature and ventilation speed in different situations. The not so beautiful heater, well hidden in the shadow, also leaves the outside view the major role in this space.
Albert van der Sar
"The most important for my feelgoodbuilding is it's location. The rest is less important.
Very important is the protection that the feelgoodbuilding offers. Obviously interrelated with the location (safe environment or not) and my activities.
During holidays I love sleeping in a tent or in a (thick) sleeping bag (max clo) outside. Under the stars, next to a warm fire, with the noise of night animals in the background, half drunk. That sums up pretty well what the ingredients for my ultimate feel good experience are. Of course after a few weeks I get fed up with that (after a while rather impractical) and enjoy going back to a real roof over my head.
Another feelgood environment of interest is the Finnish sauna (minimum clo) or swimming outside in a (heated) swimming pool.
My ultimate feelgoodbuilding is a building with contrasts. Not same - same everywhere. But for example nicely heated areas (e.g. in the living room) next to more chilly parts (e.g. halls and bedrooms). Light areas (e.g. in a serre) combined with dimmed light in the living area and darkness where I sleep. Some parts with a ceiling height of 2.40 meter. Other parts with a height of 3 meter or more with high placed windows for spectacular daylight penetration.
How the building looks? I like fun and something strange is welcome.
Examples that come close to my ultimate feelgoodbuilding are: The Pantheon in Rome, TWA Saarinen in New York, the Kruisheren church in Maastricht and the Evoluon in Eindhoven."
Martijn van Straaten
"There is no place like home. Although this house is for sale and I will move to another house, my feelgoodbuilding will always be home.
Decoration is your own style. It's personalized to your wishes. And the people and animales that are in the building are the ones you love.
Next to that it can be used as a working environment. When I would feel better at an other place, I would be thinking about problems at home. For me the most important aspect of ""feeling good"" is the People with whom you share the place, and there state of ""feeling good""."
Hans Olthaar
What you see is what you get, here i want to be all day!
Unfortunately it is for climate, safety or what ever it wil be, not possible or it is rather hard
in spite of this argument, i don't understand the reason why we usualy build by mass instead of transparancy most houses are build like monopoly: walls, a roof and some smoke.
the sun stays outside and the oil (so long there is) burns inside. In stead off starting with a concrete structure and making windows on positions were we want contact with the outside,
I sugest: we start with a open bear-structure, keeping wind and rain ouitside with a glasswall, blind locally your privacy and keep your field of vision further than the curtain"
Weichen (Thomas)
It is a hostel in new zealand where I had stayed for 2 nights few years ago. It is a typical home image for me because of the wooden floor and structure, inside stairs and the most important object is the fireplace. I feel warm and cozy when I laid back in the couch reading my novel. I can also hear the crackle from the flame from time to time, feel the heat and smell the smoke from the burning wood. That makes me feel relax and calm.
Machiel van Dorst
Form follows behavior, so a good building facilitates events. My feel good building is however eventless, so the building can take all the credits and becomes a sculpture on itÃs own. Pavilions are legitimate sculptures because the lack of programs or technical or climatically restrictions. My feelgoodbuilding is the German Pavilion of Ludwig Mies van der Rohe in Barcelona. It Ãs a perfect walkthrough sculpture. ItÃs combines fine with raw materials with high tactile quality (onyx, travertine and polished chrome). It opens en closes towards the environment and the plainness of the easy flowing space gives a peace of mind. The indoor climate is the outdoor climate of a Barcelona park, combined with the smell of still water. It is funny, but the smell of the water gives me pleasant memories of Asian cities. The object quality is reinforced by the fact the building is ones demolished and rebuild 57 years later. This capacity to disappear is a form of humility I like in a building.
Renz Pijnenborgh
"Nice natural materials, optimal air quality also for people with astma. Very quiet surroundings.
Balanced entrance of natural light. Comfortable wall-heating system. Pleasant natural ventilation."
It is very very quiet inside. The only thing you hear are the birds from outside. A very meditative place indeed. The spaces are empty and ordered like a painting of Mondriaan. No furniture except for a few paintings, a couple of cushions and a few vases with Ikebana. Balanced natural lighting partly with the help of translucent rice paper doors. Extraordinary interaction between the Zen garden and the interior, open facades when wanted, closed when needed.
