Yuting Guan
sometimes the place that i feel good is not really about where it is or what it looks like, but the people that i stay with, like in this picture, a group of friends sit together, so it is the best space.
Jing Zhang
This is a transitional space between the dark staircase space and the room full of light it is leading to. The change of illumination level in the two space is done subtly by introducing natural light to inside from windows - they are arranged to posses full range of the wall in a horizontal manner that well frame the trees outside. The space is generous as a transitional one for stairs, as it is big enough for good natural ventilation and leaves you a comfortable place to stand next to the window and look to the outside view. The windows, dived into several operable ones, provide the possibility to control temperature and ventilation speed in different situations. The not so beautiful heater, well hidden in the shadow, also leaves the outside view the major role in this space.
Toon van Hooijdonk
"History:
DREAMCATCHER:
a small 2d circle-weblike object before the WildWest started; it is supposed to separate good from evil dreams.
PYRAMIDE:
a giant 3D object from the MiddleEast which is supposed to have magical power in the point of gravity.
To join these beautifull polarities really made me feel good. Drawing peace & harmony.
07-07-07:
So happy & sweet dream to all of you. And beware; they will come true!!!
"
Juriaan van Meel
The "Van Nelle" factory is a master piece of Dutch architecture that has proved to be functional over time. Once it was a factory for tea and tabacco. Now it accommodates small companies from the design sector. Inside you can still feel the light and air; atmosphere that was so exceptional at the time when the factory was built. I admire the building because it has 'character'. Character is a quality that is hard to grasp, but it is certainly a quality that is not often found in new buildings. Buildings like this (coverted warehouses, factories, etc.) should get more attention from both the academic and professional world to tease out design principles that help to improve new design.
Martijn van Straaten
"There is no place like home. Although this house is for sale and I will move to another house, my feelgoodbuilding will always be home.
Decoration is your own style. It's personalized to your wishes. And the people and animales that are in the building are the ones you love.
Next to that it can be used as a working environment. When I would feel better at an other place, I would be thinking about problems at home. For me the most important aspect of ""feeling good"" is the People with whom you share the place, and there state of ""feeling good""."
Stanley Kurvers
The space is spacious. It has no rectangular corners, but bent, curved walls and no flat ceiling but a dome. The light comes from every direction, and is diffused. The colours are natural. The artificial light are uplighters that give a natural and not blinding light. The construction is visable on the insight. The building gives a relaxing "feel".
Jaap de knegt
"Lochamara lodge is especially a feel good place for everything you can't find there:
No traffic, no tv, no shops, no stress, no (mechanical) noise. (Hammock) heaven on earth."
Machiel van Dorst
Form follows behavior, so a good building facilitates events. My feel good building is however eventless, so the building can take all the credits and becomes a sculpture on itÃs own. Pavilions are legitimate sculptures because the lack of programs or technical or climatically restrictions. My feelgoodbuilding is the German Pavilion of Ludwig Mies van der Rohe in Barcelona. It Ãs a perfect walkthrough sculpture. ItÃs combines fine with raw materials with high tactile quality (onyx, travertine and polished chrome). It opens en closes towards the environment and the plainness of the easy flowing space gives a peace of mind. The indoor climate is the outdoor climate of a Barcelona park, combined with the smell of still water. It is funny, but the smell of the water gives me pleasant memories of Asian cities. The object quality is reinforced by the fact the building is ones demolished and rebuild 57 years later. This capacity to disappear is a form of humility I like in a building.
Renz Pijnenborgh
"Nice natural materials, optimal air quality also for people with astma. Very quiet surroundings.
Balanced entrance of natural light. Comfortable wall-heating system. Pleasant natural ventilation."
Arjen Raue
The journey through the mountains of Graubunden ends in the rocks. The building is a block of rough, grey, local stone in which the spaces are cut out like caves. The ceilings, the walls, the floors are pure rock; they belong here. Stone looks like stone and wood looks like wood. When you pull the lever of a shower you get what you expect: a drowning flush of ice water. The light is dim, but sufficient to find your way. Daylight strikes the granite surfaces and accentuates the building's structures. In each area the visitor is actually aware of it's specific mix of temperature, humidity, sound, lighting and smell. This mix determines the room, for instance in the cave where you sit down and sweat in a dark and foggy room, incredibly hot, where no wall is visible, only faint orange light and steam.
Hal Levin
"In Thoreau's own words:
"Simplicity, simplicity, simplicity."
This was a sustainable home, built to be low impact and no bigger than it needed to be.
Thoreau said he did not need a library because he did not read, he hoed beans.
It was built by a pond so it didn't need plumbing pipes - no lead, no copper, no zinc, no pvc, no pollution!"
Ipek Akgoz
Kitchen is the heart of the house. It always welcomes you with its warming atmosphere and delectable smell... It is the place that conversations are always keep going.
Wei-Hsun Chen
Wei-Hsun Chen
Wei-Hsun Chen
Wei-Hsun Chen
House N, designed by Japanese architect Sou Fujimoto, is a living place defined by three boxes with different sizes. The architect not only creates a new boundary between the house and surrounding environment, but also breaks through the conventional layout which usually separates our living place into different rooms. It creates a opportunity to make user’s life infiltrate into the city smoothly due to this in-between space which is created by three boxes and their voids. Unconsciously, the private living space is extended from inside to outside, from a house into a city. The richness of spatial levels is building a free and comfortable atmosphere for a living space.
Joanne Smith
"When I walk into this space it feels like I have walked into another world. Especially if it is particularly sunny outside, the sudden change into a dark and monumental space makes me feel a sense of peace and anticipation of something great.
The scale of the space and sloping gradient of the floor always overwhelms me the way a good space should. I especially enjoy the space has no exhibitions and I can wonder around looking up at the emptiness."
